I set the process up by using a large sheet of white paper as a clear background, focusing attention on the drumskin I placed on it. This was fixed to the paper using masking tape to prevent it from sliding. I then attached the camera to a stand.
Here is my three recordings. . .
I will be editing these short films in 'Premiere Elements', using techniques such as re-winding the clips, to look like the paint is being cleaned up. This will create a clever effect.
I may also encorporate a clip of music and colour co-ordinate the clips to create different moods. For example, red symobolises anger and tension whereas blue may appear a calmer colour.
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